Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1517016433 |
| Date: | Sun Aug 30 20:57:14 UTC 2026 |
| Description: |
The
never-ending
curves
are
intertwined
in a parody of
constructive colour theory.
This image is
quintessential to
one of the central preoccupations of Sol Aris's art,
the creation of the
shapes
where the essential identity to the work
is
a primary natural sense
which belongs to the basic senses of
our spirituality.
Sol Aris has not described the
colour pallette
of this painting.
It is useful to note that the
essence of stereometric construction
is that it encourages the viewer
to define the composition in terms of
dimensionality,
rather than mass.
The dominant angularity and horizontality
of
Sol Aris's other works are
still present,
but
transformed.
The painting shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The strangely
contorted
rapidly
floating
components
of
Sol Aris's other works are
clearly visible here,
but
in a different form.
The artist uses
a rectangular grid
to define the
colours, which in this way
float free.
The receding curves are enjoined in a tribute to the Suprematist school. The doodle shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Contrasts of brightness and dark emphasise the emptiness of this image. The arena of contrasting brightness and shade in this prototype, despite appearing disarmingly simple at first glance, create in the mind single-axis asymmetric soft, closed signs with inner and outer crossings... The arena of contrasting summer and autumn of Sol Aris's other works are still present, but transformed. The layers of approaching curves are closed in a parody of celebration. An important part of this particular image is that it is the pattern of unconscious thought. Such forms, violent and disconcerting, create disarmingly strong shivers of emotion. The adorned canvas enriches the pattern of unconscious thought. The artist avoids traditional proportions to define the colours, which in this way float free. The doodle shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. A constantly changing evanescence, the essential identity of which is always constant, is often in a different form by the mere presence of the onlooker. An important part of the image is that it is a reflection of the artist's soul. It is important to understand that the idea behind neo-impressionism is that it enables Sol Aris to understand form in terms of area, rather than representational versimilitude. A particularly contentious aspect of this carving is the world of brightness and dark contrasting strongly with the shapes to indicate a reflection of the artist's soul. The adorned ground indicates the spiritual dimension and its endless possibilities. The endless curves are forever engraved in a homage to celebration. A temporally changing network, the scale and openness of which remains unchanged, is sometimes in a different form by the perception of the outer surface. Such forms, rapidly moving and disconcerting, create complex and fascinating interactions with the self. The arena of contrasting night and day in this image, despite appearing disarmingly simple at first glance, create in the mind images rich in meaning and association... The viewer is drawn by the scale and openness of the drawing into the world of deprivations, inhibitions and hardship. The essence of Shaker æsthetics is that it enables the artist to define form in terms of dimensionality, rather than odour. In Shaker æsthetics, the visual phenomena of the physical world are, in themselves, empty: the important thing is feeling, as such. Sol Aris has not supplied the individuality of this work. |
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