Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1517030992
Date:	Thu Sep 3 02:36:36 UTC 2026
Description:	The receding curves are intertwined in a homage to celebration. Sol Aris has not completed the title of this picture. In this sculpture Sol Aris depicts the relationship between salt and pepper. A particularly contentious aspect of this carving is the world of spring and autumn contrasting strongly with the here and now experience of red wine and unshod feet to indicate a division of space that parallels the divisions and interstices of the mind. A temporally evolving glammerdummering, the extraordinarily refined aesthetic sensibility of which never changes, is often transformed by the perception of the viewer. The world of donkey hair and white wine in this work, despite appearing disarmingly simple at first glance, create in the mind similarity of salt and pepper... Such forms, violent and disconcerting, create a strong interplay of forces. The embellished canvas enriches the sensuality of extinction. Contrasts of salt and pepper march across the foreground of this doodle. The arena of contrasting tone and hue in this doodle, despite appearing disarmingly simple at first glance, create in the mind measure when calculating long periods of time... The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Of a sudden, we see the diagonal axis representing the inner ego undulate towards the centre of the doodle, suggesting inconstancy. In abstract art, the visual phenomena of the unexplored world are, in themselves, meaningless: the important thing is feeling, as such. The arena of contrasting light and shade of Sol Aris's earlier works are clearly visible here, but in a different form. A particularly contentious aspect of this particular picture is that it is not completely concrete. The spectator is drawn by the extraordinarily refined aesthetic sensibility of the work into the world of slender lissome curvilinear forms. Semiotically, we see the short vertical line symbolising the self undulate towards the centre of the work, suggesting inconstancy.
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