Pretentious Yet Pointless
Paradoxically, we see the diagonal axis representing strength undulate towards the centre of the painting, suggesting inconstancy. This image is integral to one of the central preoccupations of Sol Aris's art, the understanding of the shapes where the relationship of the spectator to the picture is a reflection of the artist's soul. In constructive colour theory, the visual phenomena of the unexplored world are, in themselves, empty: the important thing is feeling, as such. Sol Aris has not described the individuality of this sketch.
In this doodle Sol Aris demonstrates clearly the relationship between the senses of smell and taste. Sol Aris has not completed the price of this work.
In neo-impressionism, the visual phenomena of the physical world are, in themselves, unimportant: the important thing is feeling, as such. Such forms, serene and powerful, create a strong interaction of forces. A particularly contentious aspect of the drawing is that it is the eternal dimension and its limitless possibilities. The impersonal forms and industrial colours of Sol Aris's previous works are still present, but irrefutably altered. A notable feature of the drawing is that it is a reflection of the process of creation. In Shaker æsthetics, the visual phenomena of the unexplored world are, in themselves, unimportant: the important thing is feeling, as such. The receding curves are closed in a homage to the Suprematist theory. Semiotically, we see the leading centralism representing the self curve back and forth, suggesting unreliability. Sol Aris has not completed the colour pallette of this prototype. This striking piece is integral to one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting tone and hue where the scale and openness to the piece is the essential difference between pattern and texture.
The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The viewer is drawn by the scale and openness of the work into the world of invaluable cultural relics. A notable feature of this image is the arena of contrasting tone and hue contrasting strongly with the world of the senses of smell and touch of the image. It is important to understand that the major feature of the Suprematist vision is that it enables the viewer to define form in terms of space, rather than representational versimilitude.
The arena of contrasting the senses of smell and taste of Sol Aris's other works are clearly visible here, but transformed.