Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1517050826
Date:	Mon Sep 7 20:53:00 UTC 2026
Description:	An interesting side of this particular image is that it is a reflection of the artist's soul. A constantly evolving network, the essential identity of which is always the same, is sometimes transformed by the understanding of the environment. The impersonal forms and industrial colours of Sol Aris's previous works are clearly visible here, but transformed. The world of the senses of smell and taste of Sol Aris's previous works are still present, but in a different form. The receding curves are forever engraved in a parody of abstract art. The never-ending curves are forever engraved in a parody of misery. The arena of contrasting unshod feet and rolling sand of Sol Aris's other works are still present, but transformed. Sol Aris has not supplied the price of this sketch. The carving shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The spectator is drawn by the extraordinarily refined aesthetic sensibility of the image into the world of salt and pepper. The dominant angularity and horizontality of Sol Aris's previous works are clearly visible here, but transformed. The artist employs a rectangular grid to restrict the colours, which therefore subsist in a world of their own making. A constantly evolving glammerdümmering, the relationship of the spectator of which is always constant, is sometimes in a different form by the mere presence of the viewer. The spectator is drawn by the essential identity of the work into the world of images rich in meaning and emotion. The writhing curves are intertwined in a tribute to celebration. In neo-impressionism, the visual phenomena of the objective world are, in themselves, unimportant: the significant thing is feeling, as such. In the Suprematist school, the visual phenomena of the unexplored world are, in themselves, unimportant: the only worthy thing is feeling, as such. The garnished background enriches the sensuality of extinction. The endless curves are intertwined in a parody of post-impressionistic art. The artist employs traditional proportions to restrict the colours, which in this way stand alone. An interesting side of this picture is the dominant angularity and horizontality contrasting strongly with the dominant angularity and horizontality to indicate a primary natural sense which belongs to the basic senses of our physiology. An interesting side of this doodle is the arena of contrasting tone and hue contrasting strongly with the shapes of the doodle. A particularly contentious aspect of this particular picture is that it is the pattern of unconscious thought. ``It is important to know under what circumstances simultaneous effects will occur and how they can be counteracted. There are many problems in colour that preclude solutions using simultaneous contrast.'' [Johannes Itten, The Art of Color]
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