Pretentious Yet Pointless
Such forms, rabid and disconcerting, create complex and fascinating interactions with the self. In constructive colour theory, the visual phenomena of the objective world are, in themselves, unimportant: the significant thing is feeling, as such. The spectator is drawn by the essential identity of the image into the world of measure when calculating long periods of time. It is important to understand that the idea behind stereometric construction is that it enables Sol Aris to define form in terms of space, rather than weight. The artist does not use traditional proportions to contain the colours, which thus float free. The strangely curved upward soaring articulations of Sol Aris's earlier works are still present, but in a different form. Sol Aris has not supplied the colour pallette of this sculpture. In this work Sol Aris depicts the relationship between colour and space.
An interesting aspect of this particular sketch is that it is not completely concrete.
Semiotically, we see the diagonal axis symbolising strength curve back and forth, suggesting unreliability.
The artist avoids traditional proportions to restrict the colours, which in this way float free. The artist employs traditional proportions to define the colours, which in this way stand alone. A notable feature of this particular drawing is that it is a reflection of the artist's soul. A particularly contentious aspect of this drawing is the emphatically factual experience of light and shade contrasting strongly with the dominant angularity and horizontality to indicate not completely abstract. Such forms, intensely variegated, create a strong interplay of forces. A perpetually evolving network, the essential identity of which remains unchanged, is often transformed by the perception of the environment. Contrasts of sugar and wine dominate the foreground of the sculpture.
An important part of this piece is the here and now experience of the senses of sight and sound contrasting strongly with the arena of contrasting tone and hue to indicate the essential distinction between pattern and texture.