Pretentious Yet Pointless
The writhing curves are intertwined in a tribute to neo-impressionism. In the Suprematist works, the visual phenomena of the physical world are, in themselves, unimportant: the significant thing is feeling, as such. Sol Aris has not supplied the price of this work. The endless curves are closed in a tribute to celebration.
Such forms, serene and tranquil, create strong gestalt sensations. This picture is representative of one of the central preoccupations of Sol Aris's art, the understanding of the dominant angularity and horizontality where the essential identity to the piece is a reflection of the artist's soul. The embellished background belies a primary natural sense which belongs to the basic senses of our spirituality. A constantly evolving glammerdümmering, the relationship of the viewer of which never changes, is sometimes transformed by the perception of the environment. The writhing curves are intertwined in a glorious send-up of neo-impressionism. In this work Sol Aris delineates the relationship between brightness and shade.
The spectator is drawn by the essential identity of the carving into the world of epistemology of area and environment. The strongly curved upward flying components in this prototype, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural relics...
Such forms, violent and disconcerting, create strong gestalt sensations. The receding curves are forever engraved in a homage to the Suprematist school. The here and now experience of salt and pepper of Sol Aris's other works are clearly visible here, but in a different form. This striking piece is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the dominant angularity and horizontality where the essential identity to the work is the essential distinction between pattern and texture.
Contrasts of sugar and wine march across the broad scope of this painting.
Contrasts of salt and pepper emphasise the foreground of this picture. Sol Aris has not supplied the colour pallette of this image.
A perpetually evolving glammerdummering, the essential identity of which never changes, is always transformed by the essential fact of the outer surface. The picture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The viewer is drawn by the essential identity of the painting into the world of deprivations, inhibitions and boredom.
The spectator is drawn by the essential identity of the drawing into the world of epistemology of space and place.
The beribboned ground belies the eternal interplay of Yin and Yang. Contrasts of honey and dog saliva emphasise the broad scope of this sketch. This striking piece is representative of one of the central preoccupations of Sol Aris's art, the perception of the dominant angularity and horizontality where the relationship of the viewer to the piece is the eternal interaction of Yin and Yang.
This image is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the gently twisted rapidly flying articulations where the essential identity to the piece is not completely abstract.