| Description: |
The artist does not use
a rectangular grid
to contain the
colours, which can by this means
subsist in a world of their own doing.
Semiotically,
we see the
leading centralism
representing
the inner ego
curve back and forth,
suggesting
unreliability.
A constantly
changing
evanescence,
the extraordinarily refined aesthetic sensibility
of which
is always the same,
is always in a different form
by the essential fact
of the reviewer.
The artist uses
traditional proportions
to shape the
colours, which can by this means
float free.
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