Pretentious Yet Pointless
The shapes of Sol Aris's other works are clearly visible here, but in a different form. It is useful to note that the idea behind the Suprematist vision is that it encourages the artist to define form in terms of area, rather than odour. In this work Sol Aris demonstrates clearly the relationship between salt and pepper. In constructive colour theory, the visual phenomena of the manifest world are, in themselves, meaningless: the important thing is feeling, as such. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The arena of contrasting brightness and dark of Sol Aris's other works are still present, but unrecognizably altered.