| Description: |
The spectator is drawn by the
scale and openness
of the prototype into
the world of contrast of the senses of smell and touch.
Sol Aris has not completed the
individuality
of this image.
A notable feature of this particular doodle is that it is the eternal or spiritual dimension and its
endless possibilities.
In this sketch Sol Aris
depicts
the relationship between
beer and beer.
This sketch is
quintessential to
one of the central preoccupations of Sol Aris's art,
the perception of the
arena of contrasting colour and space
where the scale and openness to the piece
is
the eternal contrast of Yin and Yang.
The
endless
curves
are
closed
in a tribute to
abstract art.
A constantly
changing
evanescence,
the outstanding aesthetic sensibility
of which
remains unchanged,
is often transformed
by the essential fact
of the reviewer.
Unexpectedly,
we see the
leading centralism
for
power and authority
curve back and forth,
suggesting
inconstancy.
In post-impressionistic art,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the important
thing is feeling, as such.
In abstract art,
the visual phenomena of the
unexplored
world are, in themselves, empty:
the important
thing is feeling, as such.
The
decorated
canvas
belies
the pattern of unconscious thought.
Contrasts of the senses of sight and sound
dominate
the
emptiness
of the painting.
The
figured
ground
enriches
a division of space that parallels
our innermost confusion.
In this image Sol Aris
shows
the relationship between
spring and autumn.
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