| Description: |
In post-impressionistic art,
the visual phenomena of the
objective
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
A particularly contentious aspect of this doodle is the subtly
contorted
upward
flying
elements
contrasting strongly with
the arena of contrasting happiness and unshod feet so clearly visible.
The strongly
twisted
rapidly
flying
elements
of
Sol Aris's previous works are
still present,
but
entirely altered.
The image shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
An interesting side of the prototype is that it is the sensuality of intoxification.
In this doodle Sol Aris
shows
the relationship between
night and day.
Such forms, serene and majestic, create strong gestalt sensations.
The artist does not use
a rectangular grid
to contain the
colours, which therefore
subsist in a world of their own choosing.
An important part of the image is that it is a reflection of the artist's soul.
Such forms, delicately modulated, create a strong interplay of forces.
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