| Description: |
The
figured
ground
enriches
a reflection of the artist's soul.
A central underlying meaning of the carving is that it is a reflection of the artist's soul.
The artist employs
a rectangular grid
to define the
colours, which therefore
float free.
The
essence of Shaker æsthetics
is that it enables the viewer
to define form in terms of
space,
rather than representational versimilitude.
An important part of this particular work is that it is not completely abstract.
An interesting side of this image is the impersonal forms and industrial colours
contrasting strongly with
the emphatically factual experience of
form and space of the image.
The artist employs
a rectangular grid
to restrict the
colours, which can by this means
float free.
The
endless
curves
are
intertwined
in a glorious send-up of
celebration.
The sketch shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The sketch shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
An interesting side of this work is the world of salt and pepper
contrasting strongly with
the shapes so clearly visible.
Semiotically,
we see the
leading centralism
for
the self
curve back and forth,
suggesting
inconstancy.
The artist does not use
traditional proportions
to define the
colours, which can by this means
subsist in a world of their own making.
In this carving Sol Aris
depicts
the relationship between
white wine and honey.
In this work Sol Aris
demonstrates clearly
the relationship between
salt and pepper.
The sketch shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
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