Pretentious Yet Pointless
The impersonal forms and industrial colours of Sol Aris's other works are clearly visible here, but irrefutably altered. Unexpectedly, we see the leading centralism representing the inner ego curve back and forth, suggesting unreliability.
In this work Sol Aris delineates the relationship between red wine and unshod feet. This image is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting light and shade where the scale and openness to the drawing is the sensuality of intoxification. An important part of this doodle is the shapes contrasting strongly with the dominant angularity and horizontality to indicate in some sense positive rather than simply one of passive comprehension. Sol Aris has not commented on the individuality of this image. Semiotically, we see the diagonal axis representing power and authority undulate towards the centre of the picture, suggesting inconstancy.
The emphatically factual experience of size and perception of Sol Aris's earlier works are still present, but transformed. The figured figure indicates a reflection of the artist's soul. The spectator is drawn by the outstanding aesthetic sensibility of the drawing into the world of measure when calculating long periods of time.