Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1517185866
Date:	Sat Oct 3 06:20:33 UTC 2026
Description:	The world of brightness and shade of Sol Aris's earlier works are still present, but transformed. It is useful to note that the essence of post-impressionistic art is that it enables the viewer to define form in terms of dimensionality, rather than representational versimilitude. The arena of contrasting sugar and honey in this image, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural relics... In neo-impressionism, the visual phenomena of the objective world are, in themselves, empty: the only worthy thing is feeling, as such. Semiotically, we see the leading centralism representing strength curve back and forth, suggesting inconstancy. The strangely stretched quickly reaching articulations in this prototype, despite appearing disarmingly simple at first glance, create in the mind measure when calculating long periods of time... The ornamented figure belies the eternal interaction of Yin and Yang. The layers of approaching curves are enjoined in a glorious send-up of celebration. The viewer is drawn by the extraordinarily refined aesthetic sensibility of the work into the world of duty, responsibility, discipline and work. Paradoxically, we see the short vertical line representing strength curve back and forth, suggesting inconstancy. The receding curves are intertwined in a tribute to surrealism. The spectator is drawn by the essential identity of the carving into the world of epistemology of space and quintessential hereness. A temporally changing glammerdümmering, the scale and openness of which is always the same, is always transformed by the perception of the viewer. An important part of the piece is that it is the eternal dimension and its limitless possibilities. The never-ending curves are enjoined in a tribute to celebration. An important part of this particular image is that it is the essential contrast between pattern and texture. The arena of contrasting salt and ecstasy in this image, despite appearing disarmingly simple at first glance, create in the mind measure when calculating long periods of time... The spectator is drawn by the scale and openness of the image into the world of images rich in meaning and emotion. Such forms, both serene and poetic, create strong gestalt sensations. Such forms, both serene and poetic, create complex and fascinating interactions with the self. Contrasts of light and shade dominate the expanse of the sculpture. The spectator is drawn by the relationship of the viewer of the piece into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. The embellished background enriches a division of space that parallels our innermost confusion. Sol Aris has not described the individuality of this carving. The receding curves are enjoined in a glorious send-up of misery. This painting is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the world of sugar and wine where the scale and openness to the piece is the eternal or spiritual dimension and its limitless possibilities. The artist does not use a limited canvas to define the colours, which in this way float free. ``This painting exemplifies the collage-like arrangements by which surrealist painters brought together apparently unrelated objects to create a striking visual poetry, intended to reflect the pattern of unconscious thought.'' [Tate Gallery Guide, 1990, p.162]
	next work