Pretentious Yet Pointless
It is important to understand that the essence of abstract art is that it encourages the viewer to define the composition in terms of area, rather than weight. A constantly evolving glammerdümmering, the outstanding aesthetic sensibility of which is always constant, is sometimes transformed by the understanding of the onlooker. Such forms, serene and majestic, create a strong interplay of forces. Contrasts of night and day emphasise the foreground of this prototype. In stereometric construction, the visual phenomena of the manifest world are, in themselves, meaningless: the significant thing is feeling, as such. Contrasts of spring and autumn dominate the foreground of the painting. The artist uses traditional proportions to contain the colours, which can by this means float free.
The major feature of constructive colour theory is that it enables the artist to understand the composition in terms of dimensionality, rather than representational versimilitude. A notable feature of this particular painting is that it is the sensuality of intoxification. In surrealism, the visual phenomena of the external world are, in themselves, meaningless: the only worthy thing is feeling, as such. This image is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the world of salt and pepper where the essential identity to the piece is a natural sense which belongs to the basic senses of our inner self. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
The never-ending curves are forever engraved in a glorious send-up of celebration.