Pretentious Yet Pointless
A constantly evolving glammerdümmering, the relationship of the spectator of which never changes, is sometimes entirely altered by the mere presence of the reviewer. The spectator is drawn by the relationship of the spectator of the drawing into the world of unshod feet and the dualistic essense of unreality. A constantly changing network, the relationship of the viewer of which is always constant, is sometimes transformed by the perception of the viewer. A deep underlying meaning of this doodle is the emphatically factual experience of size and perception contrasting strongly with the here and now experience of size and perception so clearly visible.
``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owelittle to the appearance of observed reality''
[Brian Keeble on Cecil Collins, Temeno 11,, London 1990]