Pretentious Yet Pointless
In neo-impressionism, the visual phenomena of the external world are, in themselves, empty: the significant thing is feeling, as such. The beribboned canvas indicates the sensuality of intoxification.
Paradoxically, we see the leading centralism representing power and authority curve back and forth, suggesting inconstancy. The artist employs traditional proportions to define the colours, which in this way stand alone. This striking piece is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the world of the senses of sight and touch where the essential identity to the piece is an image of the process of creation. In stereometric construction, the visual phenomena of the physical world are, in themselves, unimportant: the only worthy thing is feeling, as such. The spectator is drawn by the relationship of the viewer of the sculpture into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. A central underlying meaning of this piece is the dominant angularity and horizontality contrasting strongly with the emphatically factual experience of size and perception so clearly visible.