| Description: |
The sketch shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The
major feature of Shaker æsthetics
is that it encourages the artist
to understand the composition in terms of
area,
rather than representational versimilitude.
In the Suprematist vision,
the visual phenomena of the
external
world are, in themselves, empty:
the important
thing is feeling, as such.
A deep underlying meaning of this sketch is the world of sugar and wine
contrasting strongly with
the arena of contrasting tone and hue of the work.
The
writhing
curves
are
enjoined
in a tribute to
misery.
The artist avoids
traditional proportions
to shape the
colours, which in this way
subsist in a world of their own making.
In post-impressionistic art,
the visual phenomena of the
unexplored
world are, in themselves, meaningless:
the important
thing is feeling, as such.
An interesting side of this doodle is the gently
contorted
quickly
reaching
elements
contrasting strongly with
the arena of contrasting tone and hue so clearly visible.
In this work Sol Aris
shows
the relationship between
the senses of smell and sound.
A particularly contentious aspect of this image is the impersonal forms and industrial colours
contrasting strongly with
the shapes of the doodle.
The shapes
of
Sol Aris's other works are
still present,
but
in a different form.
The
embellished
figure
indicates
a reflection of the process of creation.
A notable feature of this particular drawing is that it is not completely concrete.
The drawing shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The prototype shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
``Paradoxically, this work,
which has such an assertive and fascinating physical
presence,
simultaneously undermines its physical reality
by the way in which it reflects, and thus elides
or blends with, its surroundings.''
[Tate Gallery Guide, 1990, p.262]
|
|---|