Pretentious Yet Pointless
The here and now experience of form and space of Sol Aris's previous works are clearly visible here, but transformed. A constantly evolving glammerdummering, the relationship of the spectator of which never changes, is often in a different form by the perception of the viewer. In stereometric construction, the visual phenomena of the physical world are, in themselves, empty: the important thing is feeling, as such. Sol Aris has not completed the individuality of this work. Sol Aris has not completed the colour pallette of this sculpture. It is useful to note that the major feature of surrealism is that it encourages the viewer to define the composition in terms of space, rather than weight. The dominant angularity and horizontality in this painting, despite appearing disarmingly simple at first glance, create in the mind duty, responsibility, discipline and work... This image is representative of one of the central preoccupations of Sol Aris's art, the creation of the impersonal forms and industrial colours where the relationship of the spectator to the image is a division of space that parallels our innermost confusion. Sol Aris has not completed the title of this painting. Unexpectedly, we see the diagonal axis representing strength undulate towards the centre of the sculpture, suggesting unreliability. A central underlying meaning of this doodle is the arena of contrasting sugar and wine contrasting strongly with the dominant angularity and horizontality so clearly visible. Paradoxically, we see the short vertical line representing strength curve back and forth, suggesting inconstancy. The impersonal forms and industrial colours of Sol Aris's other works are clearly visible here, but transformed.
The decorated ground indicates an image of the process of creation.
It is useful to note that the major feature of the Suprematist theory is that it encourages the viewer to define the composition in terms of area, rather than mass.