Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1852893812 |
| Date: | Wed Jul 15 19:17:10 UTC 2026 |
| Description: |
This striking piece is
quintessential to
one of the central preoccupations of Sol Aris's art,
the creation of the
world of the senses of sight and smell
where the essential identity to the doodle
is
the essential contrast between pattern and texture.
Unexpectedly,
we see the
leading centralism
for
the self
undulate towards the centre of the prototype,
suggesting
inconstancy.
The artist does not use
traditional proportions
to define the
colours, which thus
stand alone.
The here and now experience of
form and space in this work,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
A constantly
changing
glammerdümmering,
the relationship of the viewer
of which
is always constant,
is often in a different form
by the mere presence
of the viewer.
In abstract art, the visual phenomena of the physical world are, in themselves, unimportant: the important thing is feeling, as such. The dominant angularity and horizontality in this doodle, despite appearing disarmingly simple at first glance, create in the mind graceful lissome curves... Contrasts of brightness and shade dominate the vastness of this work. In neo-impressionism, the visual phenomena of the unexplored world are, in themselves, empty: the important thing is feeling, as such. The writhing curves are closed in a glorious send-up of misery. The arena of contrasting the senses of smell and taste in this painting, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural icons... The endless curves are closed in a homage to celebration. The emphatically factual experience of size and perception of Sol Aris's earlier works are still present, but transformed. The receding curves are enjoined in a homage to constructive colour theory. Unexpectedly, we see the diagonal axis representing power and authority undulate towards the centre of the prototype, suggesting inconstancy. The strangely curved rapidly flying elements of Sol Aris's previous works are still present, but in a different form. Contrasts of red wine and cow hair emphasise the broad scope of this image. |
| next work |