Pretentious Yet Pointless
The spectator is drawn by the essential identity of the prototype into the world of invaluable cultural icons. Semiotically, we see the diagonal axis symbolising the inner ego curve back and forth, suggesting inconstancy. Such forms, both serene and poetic, create disarmingly intenste shivers of emotion. Contrasts of night and day emphasise the broad scope of this work. In Shaker æsthetics, the visual phenomena of the objective world are, in themselves, unimportant: the significant thing is feeling, as such.
The artist employs traditional proportions to define the colours, which in this way stand alone.
The viewer is drawn by the extraordinarily refined aesthetic sensibility of the image into the world of duty, responsibility, discipline and work. An interesting aspect of this particular work is that it is a natural sense which belongs to the basic senses of our psychology.
In post-impressionistic art, the visual phenomena of the physical world are, in themselves, unimportant: the significant thing is feeling, as such. Contrasts of dark and light dominate the foreground of this drawing. The never-ending curves are forever engraved in a homage to misery.
The decorated figure enriches a reflection of the artist's soul. The artist uses traditional proportions to restrict the colours, which in this way float free.