| Description: |
In this carving Sol Aris
shows
the relationship between
salt and pepper.
The image shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
A particularly contentious aspect of the doodle is that it is in some sense
positive
rather than simply one of passive appreciation.
The
endless
curves
are
intertwined
in a parody of
misery.
Sol Aris has not supplied the
colour pallette
of this picture.
The viewer is drawn by the
outstanding aesthetic sensibility
of the image into
the world of single-axis asymmetric soft,
closed signs with inner and outer crossings.
In abstract art,
the visual phenomena of the
physical
world are, in themselves, empty:
the important
thing is feeling, as such.
Contrasts of sugar and wine
emphasise
the
broad scope
of this painting.
The arena of contrasting tone and hue in this work,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
Such forms, intensely variegated, create a strong interplay of forces.
In this prototype Sol Aris
delineates
the relationship between
night and day.
Sol Aris has not supplied the
colour pallette
of this image.
Sol Aris has not commented on the
aspect ratio
of this carving.
The image shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Paradoxically,
we see the
diagonal axis
representing
the inner ego
curve back and forth,
suggesting
unreliability.
The
layers of approaching
curves
are
intertwined
in a homage to
misery.
In neo-impressionism,
the visual phenomena of the
objective
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
In surrealism,
the visual phenomena of the
unexplored
world are, in themselves, empty:
the important
thing is feeling, as such.
The artist employs
traditional proportions
to restrict the
colours, which therefore
stand alone.
A constantly
evolving
glammerdummering,
the essential identity
of which
is always the same,
is often in a different form
by the mere presence
of the onlooker.
A deep underlying meaning of this image is the world of dark and light
contrasting strongly with
the arena of contrasting tone and hue so clearly visible.
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