Pretentious Yet Pointless
Sol Aris has not supplied the title of this painting. The embellished ground indicates an image of the process of creation. The shapes in this image, despite appearing disarmingly simple at first glance, create in the mind contrast of light and dark... It is important to understand that the major feature of the Suprematist school is that it encourages Sol Aris to understand form in terms of dimensionality, rather than weight. The viewer is drawn by the essential identity of the prototype into the world of similitude of night and day.
The layers of approaching curves are forever engraved in a glorious send-up of neo-impressionism. The artist avoids traditional proportions to contain the colours, which thus float free. The artist does not use traditional proportions to restrict the colours, which therefore float free. Of a sudden, we see the short vertical line symbolising the self undulate towards the centre of the work, suggesting unreliability. The viewer is drawn by the essential identity of the drawing into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. In the Suprematist school, the visual phenomena of the physical world are, in themselves, unimportant: the significant thing is feeling, as such. The viewer is drawn by the outstanding aesthetic sensibility of the image into the world of deprivations, inhibitions and poverty.
Sol Aris has not supplied the aspect ratio of this work.
Quite simple geometric shapes seem invested with life.