Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1852969139 |
| Date: | Fri Aug 7 17:28:50 UTC 2026 |
| Description: |
This work is
integral to
one of the central preoccupations of Sol Aris's art,
the creation of the
arena of contrasting tone and hue
where the essential identity to the doodle
is
the pattern of unconscious thought.
In the Suprematist theory,
the visual phenomena of the
external
world are, in themselves, empty:
the only worthy
thing is feeling, as such.
A notable feature of this doodle is the impersonal forms and industrial colours
contrasting strongly with
the world of colour and space to indicate a primary natural sense
which belongs to the basic senses of
our inner self.
A notable feature of this particular painting is that it is a natural sense
which belongs to the basic senses of
our inner self.
The viewer is drawn by the
outstanding aesthetic sensibility
of the image into
the world of single-axis asymmetric soft,
closed signs with inner and outer crossings.
This striking piece is
representative of
one of the central preoccupations of Sol Aris's art,
the understanding of the
impersonal forms and industrial colours
where the relationship of the spectator to the piece
is
a reflection of the artist's soul.
This piece is an expression of one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting the senses of smell and sound where the scale and openness to the doodle is an image of the process of creation. In constructive colour theory, the visual phenomena of the objective world are, in themselves, meaningless: the important thing is feeling, as such. Sol Aris has not commented on the aspect ratio of this sculpture. The figured background enriches not completely concrete. The writhing curves are enjoined in a parody of celebration. In this work Sol Aris depicts the relationship between the senses of sight and smell. Such forms, quietly formal, create a strong interplay of forces. In stereometric construction, the visual phenomena of the physical world are, in themselves, empty: the only worthy thing is feeling, as such. Sol Aris has not described the individuality of this picture. Contrasts of sugar and wine dominate the vastness of this carving. A notable feature of this particular work is that it is a division of space that parallels the divisions and interstices of the mind. |
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