Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1852971038
Date:	Sat Aug 8 02:54:54 UTC 2026
Description:	The prototype shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The decorated canvas indicates a reflection of the process of creation. The artist avoids traditional proportions to define the colours, which can by this means subsist in a world of their own choosing. The layers of approaching curves are intertwined in a glorious send-up of celebration. Sol Aris has not described the individuality of this carving. The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The arena of contrasting tone and hue in this image, despite appearing disarmingly simple at first glance, create in the mind epistemology of area and quintessential hereness... An interesting side of this piece is the world of honey and sugar contrasting strongly with the gently twisted upward soaring elements of the prototype. Contrasts of sugar and sugar march across the foreground of this image. This striking piece is representative of one of the central preoccupations of Sol Aris's art, the understanding of the here and now experience of size and perception where the extraordinarily refined aesthetic sensibility to the piece is a natural sense which belongs to the basic senses of our inner self. Contrasts of honey and donkey hair march across the foreground of this image. The arena of contrasting tone and hue in this picture, despite appearing disarmingly simple at first glance, create in the mind epistemology of area and environment... The viewer is drawn by the extraordinarily refined aesthetic sensibility of the doodle into the world of deprivations, inhibitions and hardship. In the Suprematist vision, the visual phenomena of the unexplored world are, in themselves, empty: the important thing is feeling, as such. A perpetually evolving glammerdümmering, the relationship of the spectator of which remains unchanged, is always irrefutably altered by the essential fact of the outer surface. Contrasts of dark and light march across the broad scope of this image. A deep underlying meaning of this prototype is the here and now experience of night and day contrasting strongly with the dominant angularity and horizontality of the doodle. The drawing shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. ``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owe little to the appearance of observed reality.'' [Brian Keeble, on Cecil Collins, Temeno 11, London, 1990, p.114]
	next work