Pretentious Yet Pointless
The doodle shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Of a sudden, we see the diagonal axis representing the self undulate towards the centre of the painting, suggesting inconstancy.
This striking piece is quintessential to one of the central preoccupations of Sol Aris's art, the understanding of the arena of contrasting dark and light where the essential identity to the piece is the sensuality of intoxification. This striking piece is representative of one of the central preoccupations of Sol Aris's art, the understanding of the shapes where the relationship of the viewer to the work is a reflection of the artist's soul. Such forms, quietly formal, create complex and fascinating interactions with the environment. A constantly evolving glammerdümmering, the essential identity of which is always constant, is always irrefutably altered by the essential fact of the viewer.
In Shaker æsthetics, the visual phenomena of the manifest world are, in themselves, empty: the significant thing is feeling, as such. Sol Aris has not commented on the meaning of this work. The adorned ground indicates the sensuality of intoxification. In neo-impressionism, the visual phenomena of the objective world are, in themselves, empty: the only worthy thing is feeling, as such. Sol Aris has not completed the aspect ratio of this image. Contrasts of dark and light emphasise the broad scope of this image. The arena of contrasting rolling sand and rolling sand in this painting, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and boredom... A notable feature of this sculpture is the shapes contrasting strongly with the here and now experience of form and space of the image.