Pretentious Yet Pointless
In this sketch Sol Aris shows the relationship between dark and light. The receding curves are enjoined in a tribute to celebration. It is important to understand that the major feature of surrealism is that it enables Sol Aris to define the composition in terms of dimensionality, rather than representational versimilitude. The artist does not use a rectangular grid to contain the colours, which thus stand alone. The artist does not use traditional proportions to restrict the colours, which thus float free. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. It is useful to note that the major feature of Shaker æsthetics is that it encourages Sol Aris to understand the composition in terms of space, rather than odour. In this drawing Sol Aris shows the relationship between dark and light. In this drawing Sol Aris depicts the relationship between salt and pepper. The viewer is drawn by the extraordinarily refined aesthetic sensibility of the doodle into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. The artist does not use traditional proportions to restrict the colours, which can by this means float free.
The layers of approaching curves are intertwined in a parody of Shaker æsthetics. The impersonal forms and industrial colours in this work, despite appearing disarmingly simple at first glance, create in the mind measure when calculating long periods of time...
The never-ending curves are closed in a parody of Shaker æsthetics. The viewer is drawn by the outstanding aesthetic sensibility of the drawing into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. The spectator is drawn by the scale and openness of the sculpture into the world of similarity of the senses of smell and touch.