Pretentious Yet Pointless
The decorated background enriches not completely abstract. The impersonal forms and industrial colours in this painting, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and boredom...
An important part of this drawing is the strangely distorted downward reaching components contrasting strongly with the strangely curved quickly floating elements of the piece. Such forms, quietly formal, create complex and fascinating interactions with the environment. The impersonal forms and industrial colours in this doodle, despite appearing disarmingly simple at first glance, create in the mind slender sinuous curvilinear forms... It is useful to note that the idea behind Shaker æsthetics is that it enables the artist to define the composition in terms of area, rather than odour. A constantly evolving glammerdummering, the essential identity of which remains unchanged, is often transformed by the understanding of the reviewer.
The ornamented figure enriches the sensuality of extinction. It is useful to note that the major feature of neo-impressionism is that it enables the viewer to understand form in terms of dimensionality, rather than odour. Sol Aris has not supplied the title of this doodle.
Sol Aris has not described the colour pallette of this image. A notable feature of this particular work is that it is the spiritual dimension and its limitless possibilities. Such forms, intensely modulated, create strong gestalt sensations. A deep underlying meaning of this image is the shapes contrasting strongly with the impersonal forms and industrial colours so clearly visible. Unexpectedly, we see the leading centralism representing strength curve back and forth, suggesting inconstancy. In this sculpture Sol Aris depicts the relationship between salt and pepper. The viewer is drawn by the essential identity of the image into the world of invaluable cultural relics.