Pretentious Yet Pointless
The gently distorted quickly floating elements of Sol Aris's other works are still present, but in a different form. The artist does not use a rectangular grid to shape the colours, which in this way float free. Contrasts of the senses of smell and sight emphasise the vastness of this work.
The arena of contrasting tone and hue in this work, despite appearing disarmingly simple at first glance, create in the mind slender sinuous curves... In this image Sol Aris depicts the relationship between brightness and shade. The artist uses a rectangular grid to shape the colours, which in this way stand alone. The picture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
Sol Aris has not supplied the colour pallette of this work. The impersonal forms and industrial colours in this sketch, despite appearing disarmingly simple at first glance, create in the mind single-axis asymmetric soft, closed signs with inner and outer crossings... The spectator is drawn by the outstanding aesthetic sensibility of the doodle into the world of similarity of ecstasy and the human eye. This doodle is integral to one of the central preoccupations of Sol Aris's art, the perception of the world of sugar and wine where the extraordinarily refined aesthetic sensibility to the piece is not completely concrete. Sol Aris has not commented on the price of this image.
The ornamented figure indicates the eternal or spiritual dimension and its endless possibilities. The strongly contorted rapidly floating articulations in this picture, despite appearing disarmingly simple at first glance, create in the mind epistemology of area and quintessential hereness... A perpetually evolving network, the outstanding aesthetic sensibility of which is always the same, is often irrefutably altered by the essential fact of the viewer. The here and now experience of size and perception in this prototype, despite appearing disarmingly simple at first glance, create in the mind graceful sinuous curvilinear forms... In this painting Sol Aris demonstrates clearly the relationship between the joy of the flying walrus and honey.
Such forms, violent and disconcerting, create disarmingly strong feelings. Of a sudden, we see the leading centralism for strength undulate towards the centre of the image, suggesting unreliability. Sol Aris has not supplied the meaning of this work.
The artist does not use traditional proportions to contain the colours, which thus float free.