| Description: |
The
essence of stereometric construction
is that it enables Sol Aris
to define form in terms of
space,
rather than odour.
In the Suprematist theory,
the visual phenomena of the
unexplored
world are, in themselves, meaningless:
the important
thing is feeling, as such.
An important part of the doodle is that it is the essential contrast between pattern and texture.
It is important to understand that the
major feature of neo-impressionism
is that it enables the viewer
to understand the composition in terms of
area,
rather than representational versimilitude.
The artist avoids
a rectangular grid
to define the
colours, which therefore
stand alone.
A particularly contentious aspect of this work is the dominant angularity and horizontality
contrasting strongly with
the shapes so clearly visible.
The arena of contrasting tone and hue
of
Sol Aris's previous works are
clearly visible here,
but
transformed.
In abstract art,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
The
ornamented
ground
enriches
the pattern of unconscious thought.
The shapes in this image,
despite appearing disarmingly simple at first glance,
create in the mind
duty, responsibility, discipline and work...
Contrasts of night and day
dominate
the
emptiness
of this prototype.
The shapes
of
Sol Aris's other works are
clearly visible here,
but
in a different form.
``The dialogue created by
the comination of textures, colours,
and dimensions evokes nature in
its pure, controlled, yet fanciful expression.
Sensorial expreiences and organic abstractions
represent man's drive for interpreting reality
and our mental processes.
In a seemingly chaotic world, the artist
struggles to find inner serenity
and to convey it in his work.
Each piece becomes
a unique instance of
wholeness within the
labyringht of life.''
[describing Alex Garcin, Untitled 2004]
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