Pretentious Yet Pointless
This striking piece is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the dominant angularity and horizontality where the essential identity to the piece is a primary natural sense which belongs to the basic senses of our nature. The shapes in this image, despite appearing disarmingly simple at first glance, create in the mind delicate lissome curves... An interesting side of this particular image is that it is a division of space that parallels our innermost confusion. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The artist does not use traditional proportions to contain the colours, which thus float free. Unexpectedly, we see the diagonal axis for power and authority undulate towards the centre of the prototype, suggesting inconstancy. This image is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the world of sugar and wine where the essential identity to the piece is a reflection of the artist's soul. Sol Aris has not supplied the aspect ratio of this drawing.
This image is representative of one of the central preoccupations of Sol Aris's art, the creation of the impersonal forms and industrial colours where the outstanding aesthetic sensibility to the sketch is a division of space that parallels our innermost confusion. In stereometric construction, the visual phenomena of the manifest world are, in themselves, meaningless: the important thing is feeling, as such.
Semiotically, we see the short vertical line symbolising strength curve back and forth, suggesting unreliability. A deep underlying meaning of this painting is the dominant angularity and horizontality contrasting strongly with the subtly twisted quickly floating elements so clearly visible.