Pretentious Yet Pointless
This image is representative of one of the central preoccupations of Sol Aris's art, the perception of the here and now experience of size and perception where the outstanding aesthetic sensibility to the sketch is the eternal contrast of Yin and Yang. In neo-impressionism, the visual phenomena of the external world are, in themselves, unimportant: the significant thing is feeling, as such. The receding curves are forever engraved in a homage to celebration.
The major feature of post-impressionistic art is that it enables the artist to define form in terms of space, rather than weight. The artist uses a rectangular grid to restrict the colours, which can by this means subsist in a world of their own choosing. An interesting aspect of this image is the dominant angularity and horizontality contrasting strongly with the dominant angularity and horizontality of the work.
Paradoxically, we see the leading centralism for power and authority undulate towards the centre of the work, suggesting unreliability.
This image is representative of one of the central preoccupations of Sol Aris's art, the perception of the here and now experience of form and space where the scale and openness to the piece is the pattern of unconscious thought.