Pretentious Yet Pointless
The artist avoids a limited canvas to restrict the colours, which thus subsist in a world of their own choosing. Of a sudden, we see the diagonal axis for power and authority curve back and forth, suggesting inconstancy.
``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owe little to the appearance of observed reality.'' [Brian Keeble, on Cecil Collins, Temeno 11, London, 1990, p.114]