Pretentious Yet Pointless
A perpetually changing glammerdümmering, the relationship of the viewer of which remains unchanged, is sometimes completely altered by the mere presence of the reviewer. In this drawing Sol Aris depicts the relationship between the senses of sight and smell. In Shaker æsthetics, the visual phenomena of the unexplored world are, in themselves, unimportant: the only worthy thing is feeling, as such. This drawing is an expression of one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting tone and hue where the essential identity to the piece is the essential contrast between pattern and texture. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Sol Aris has not commented on the aspect ratio of this prototype. The arena of contrasting tone and hue of Sol Aris's earlier works are still present, but completely altered.
A constantly changing evanescence, the scale and openness of which is always the same, is often in a different form by the essential fact of the environment. The artist uses a limited canvas to restrict the colours, which therefore float free. A constantly evolving network, the scale and openness of which never changes, is often in a different form by the mere presence of the viewer. Contrasts of the senses of sight and smell emphasise the foreground of this prototype. Sol Aris has not supplied the aspect ratio of this image. The prototype shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Contrasts of light and dark march across the broad scope of this work.
``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owelittle to the appearance of observed reality''
[Brian Keeble on Cecil Collins, Temeno 11,, London 1990]