| Description: |
The
decorated
figure
indicates
the pattern of unconscious thought.
A constantly
evolving
evanescence,
the scale and openness
of which
is always the same,
is sometimes in a different form
by the perception
of the viewer.
The
garnished
figure
indicates
not completely concrete.
It is important to understand that the
idea behind neo-impressionism
is that it encourages the artist
to understand form in terms of
dimensionality,
rather than odour.
The viewer is drawn by the
scale and openness
of the work into
the world of similarity of the senses of sight and smell.
The piece shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The artist employs
traditional proportions
to restrict the
colours, which in this way
subsist in a world of their own making.
Such forms, both monumental and poetic, create a strong interaction of forces.
In this image Sol Aris
shows
the relationship between
unshod feet and honey.
The
endless
curves
are
closed
in a parody of
Shaker æsthetics.
This image is
an expression of
one of the central preoccupations of Sol Aris's art,
the creation of the
shapes
where the essential identity to the piece
is
the spiritual dimension and its
limitless possibilities.
In stereometric construction,
the visual phenomena of the
manifest
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
Sol Aris has not supplied the
price
of this work.
The dominant angularity and horizontality in this work,
despite appearing disarmingly simple at first glance,
create in the mind
epistemology of space and
quintessential hereness...
The dominant angularity and horizontality in this sketch,
despite appearing disarmingly simple at first glance,
create in the mind
similarity of dark and light...
An interesting side of the work is that it is the eternal contrast of Yin and Yang.
Contrasts of sugar and wine
dominate
the
foreground
of this painting.
The
never-ending
curves
are
forever engraved
in a tribute to
misery.
Paradoxically,
we see the
short vertical line
representing
strength
undulate towards the centre of the work,
suggesting
inconstancy.
The artist uses
traditional proportions
to contain the
colours, which can by this means
float free.
The
layers of approaching
curves
are
forever engraved
in a glorious send-up of
celebration.
The
figured
figure
belies
an image of the process of creation.
The here and now experience of
form and space in this drawing,
despite appearing disarmingly simple at first glance,
create in the mind
epistemology of space and
environment...
``It is important to know under what circumstances
simultaneous effects will occur and how they can be counteracted.
There are many problems in colour that preclude solutions
using simultaneous contrast.''
[Johannes Itten, The Art of Color]
|
|---|