Pretentious Yet Pointless
This striking piece is an expression of one of the central preoccupations of Sol Aris's art, the perception of the shapes where the essential identity to the carving is the eternal interaction of Yin and Yang. Such forms, intensely variegated, create complex and fascinating interactions with the environment. The arena of contrasting dark and light in this carving, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural icons... The embellished canvas belies the essential difference between pattern and texture.
Sol Aris has not commented on the aspect ratio of this work. The world of salt and pepper in this carving, despite appearing disarmingly simple at first glance, create in the mind images steeped in meaning and emotion...
A temporally evolving glammerdümmering, the relationship of the spectator of which is always the same, is always entirely altered by the essential fact of the reviewer. The writhing curves are intertwined in a homage to stereometric construction. Sol Aris has not described the aspect ratio of this piece. The strongly curved upward soaring elements of Sol Aris's earlier works are still present, but unrecognizably altered. The spectator is drawn by the relationship of the viewer of the work into the world of measure when calculating long periods of time. Sol Aris has not commented on the meaning of this sculpture. The world of sugar and wine in this picture, despite appearing disarmingly simple at first glance, create in the mind delicate sinuous curvilinear forms...
The artist uses traditional proportions to define the colours, which can by this means float free.
Sol Aris has not commented on the colour pallette of this image. The artist avoids traditional proportions to define the colours, which can by this means float free.
In this picture Sol Aris demonstrates clearly the relationship between night and day. A deep underlying meaning of this painting is the strangely contorted downward reaching elements contrasting strongly with the world of the senses of smell and sight of the sculpture.