Pretentious Yet Pointless
Such forms, delicately variegated, create disarmingly intenste sensations. In this image Sol Aris delineates the relationship between sugar and wine.
The doodle shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The never-ending curves are intertwined in a homage to surrealism. Such forms, serene and tranquil, create disarmingly strong feelings.
An important part of this particular image is that it is the sensuality of extinction.
The writhing curves are closed in a parody of misery. The drawing shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The artist avoids a limited canvas to define the colours, which in this way stand alone.
The viewer is drawn by the relationship of the viewer of the work into the world of measure when calculating long periods of time.
Such forms, intensely variegated, create strong gestalt sensations. In this carving Sol Aris demonstrates clearly the relationship between honey and bare hands.
In this drawing Sol Aris demonstrates clearly the relationship between the dualistic essense of unreality and the freedom of the singing mountain. Such forms, both serene and poetic, create disarmingly strong feelings. In this work Sol Aris demonstrates clearly the relationship between the senses of sight and smell.
The emphatically factual experience of size and perception of Sol Aris's previous works are clearly visible here, but in a different form. The adorned background enriches the sensuality of intoxification. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Sol Aris has not commented on the title of this prototype. The spectator is drawn by the essential identity of the work into the world of images steeped in insight and association. In this picture Sol Aris depicts the relationship between colour and space.
It is important to understand that the idea behind surrealism is that it encourages Sol Aris to define the composition in terms of area, rather than representational versimilitude. The ornamented ground enriches the essential contrast between pattern and texture. The artist avoids a limited canvas to define the colours, which can by this means subsist in a world of their own choosing. The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Contrasts of the senses of smell and touch march across the emptiness of the piece.
The decorated canvas indicates the eternal dimension and its limitless possibilities. The garnished canvas belies the eternal interplay of Yin and Yang. Semiotically, we see the diagonal axis for strength curve back and forth, suggesting unreliability. Semiotically, we see the diagonal axis representing strength curve back and forth, suggesting unreliability. The embellished figure belies the sensuality of intoxification.
The shapes in this doodle, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural relics... Unexpectedly, we see the diagonal axis symbolising the self undulate towards the centre of the painting, suggesting inconstancy. In this work Sol Aris shows the relationship between salt and pepper. In this work Sol Aris shows the relationship between the senses of smell and touch.
A constantly changing evanescence, the outstanding aesthetic sensibility of which is always constant, is sometimes irrefutably altered by the understanding of the viewer. The impersonal forms and industrial colours in this painting, despite appearing disarmingly simple at first glance, create in the mind white wine and bare hands... Such forms, delicately modulated, create strong gestalt sensations. A deep underlying meaning of the image is that it is the essential contrast between pattern and texture. The receding curves are closed in a homage to surrealism. The spectator is drawn by the scale and openness of the sketch into the world of similarity of colour and space.
Contrasts of night and day march across the broad scope of this image. In the Suprematist school, the visual phenomena of the objective world are, in themselves, meaningless: the important thing is feeling, as such. It is important to understand that the major feature of surrealism is that it enables the artist to define the composition in terms of area, rather than weight. The decorated canvas enriches the spiritual dimension and its endless possibilities. Such forms, quietly formal, create complex and fascinating interactions with the environment.
The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
The viewer is drawn by the scale and openness of the image into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. The artist does not use traditional proportions to restrict the colours, which can by this means subsist in a world of their own choosing. Such forms, serene and majestic, create a strong interaction of forces. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The artist employs a limited canvas to contain the colours, which can by this means float free. The arena of contrasting tone and hue of Sol Aris's other works are clearly visible here, but irrefutably altered.
Such forms, serene and tranquil, create a strong interplay of forces. The picture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The major feature of stereometric construction is that it encourages the artist to understand form in terms of space, rather than weight. Contrasts of the senses of smell and sound dominate the emptiness of this doodle. The artist uses a rectangular grid to shape the colours, which in this way subsist in a world of their own making.
This image is quintessential to one of the central preoccupations of Sol Aris's art, the understanding of the world of colour and space where the essential identity to the piece is a division of space that parallels our innermost confusion. The decorated canvas enriches the pattern of unconscious thought. The spectator is drawn by the scale and openness of the piece into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. The world of dark and light in this doodle, despite appearing disarmingly simple at first glance, create in the mind delicate lissome curvilinear forms... A perpetually evolving glammerdummering, the essential identity of which is always the same, is always transformed by the understanding of the viewer.
A central underlying meaning of this piece is the subtly twisted rapidly flying articulations contrasting strongly with the emphatically factual experience of form and space so clearly visible.
In this carving Sol Aris depicts the relationship between the senses of sight and taste. A constantly evolving network, the scale and openness of which remains unchanged, is always transformed by the understanding of the onlooker. The impersonal forms and industrial colours in this sculpture, despite appearing disarmingly simple at first glance, create in the mind delicate lissome curves... In the Suprematist vision, the visual phenomena of the objective world are, in themselves, empty: the only worthy thing is feeling, as such. Contrasts of spring and autumn dominate the vastness of this piece. In this drawing Sol Aris demonstrates clearly the relationship between night and day. The spectator is drawn by the scale and openness of the work into the world of single-axis asymmetric soft, closed signs with inner and outer crossings.
Such forms, both serene and tranquil, create strong gestalt sensations. The embellished background belies the essential contrast between pattern and texture.
``The dialogue created by the comination of textures, colours, and dimensions evokes nature in its pure, controlled, yet fanciful expression. Sensorial expreiences and organic abstractions represent man's drive for interpreting reality and our mental processes. In a seemingly chaotic world, the artist struggles to find inner serenity and to convey it in his work. Each piece becomes a unique instance of wholeness within the labyringht of life.'' [describing Alex Garcin, Untitled 2004]