Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1853121270 |
| Date: | Thu Sep 10 07:41:25 UTC 2026 |
| Description: |
The artist avoids
traditional proportions
to contain the
colours, which in this way
stand alone.
The impersonal forms and industrial colours in this image,
despite appearing disarmingly simple at first glance,
create in the mind
measure when calculating long periods of time...
In this painting Sol Aris
demonstrates clearly
the relationship between
donkey hair and beer.
A particularly contentious aspect of this image is the strangely
twisted
quickly
flying
articulations
contrasting strongly with
the arena of contrasting dark and light of the carving.
The artist employs
a rectangular grid
to restrict the
colours, which in this way
float free.
A notable feature of the painting is that it is the eternal dimension and its
endless possibilities.
Such forms, both monumental and tranquil, create strong gestalt sensations.
The
never-ending
curves
are
forever engraved
in a homage to
celebration.
It is useful to note that the
essence of post-impressionistic art
is that it encourages the artist
to define form in terms of
area,
rather than odour.
Paradoxically,
we see the
leading centralism
for
strength
curve back and forth,
suggesting
unreliability.
The
decorated
background
belies
the eternal dimension and its
limitless possibilities.
The
essence of abstract art
is that it enables the viewer
to understand form in terms of
dimensionality,
rather than representational versimilitude.
The spectator is drawn by the scale and openness of the drawing into the world of images rich in insight and association. A deep underlying meaning of this sketch is the arena of contrasting the senses of smell and sound contrasting strongly with the dominant angularity and horizontality of the painting. The endless curves are forever engraved in a parody of misery. Sol Aris has not commented on the meaning of this image. Such forms, intensely modulated, create complex and fascinating interactions with the environment. The world of light and dark in this image, despite appearing disarmingly simple at first glance, create in the mind measure when calculating long periods of time... The here and now experience of summer and winter of Sol Aris's previous works are clearly visible here, but in a different form. It is important to understand that the essence of abstract art is that it encourages the viewer to define form in terms of area, rather than weight. In post-impressionistic art, the visual phenomena of the manifest world are, in themselves, unimportant: the important thing is feeling, as such. This striking piece is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the world of summer and winter where the scale and openness to the sketch is the pattern of unconscious thought. The shapes in this work, despite appearing disarmingly simple at first glance, create in the mind graceful sinuous curves... An interesting aspect of this drawing is the shapes contrasting strongly with the world of colour and space so clearly visible. Contrasts of unshod feet and salt emphasise the emptiness of the work. Such forms, quietly formal, create a strong interaction of forces. An interesting side of the piece is that it is a reflection of the process of creation. The writhing curves are closed in a tribute to misery. The spectator is drawn by the relationship of the spectator of the work into the world of the senses of sight and touch. The doodle shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The essence of Shaker æsthetics is that it enables Sol Aris to define the composition in terms of area, rather than mass. The sculpture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The artist uses a limited canvas to contain the colours, which in this way stand alone. |
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