Pretentious Yet Pointless
Contrasts of brightness and dark emphasise the vastness of this image. A constantly evolving glammerdümmering, the extraordinarily refined aesthetic sensibility of which remains unchanged, is sometimes transformed by the essential fact of the outer surface. This striking piece is representative of one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting pepper and unshod feet where the scale and openness to the work is an image of the process of creation. A notable feature of this piece is the arena of contrasting tone and hue contrasting strongly with the strangely curved upward reaching articulations to indicate the pattern of unconscious thought. Sol Aris has not completed the meaning of this work. The artist avoids traditional proportions to shape the colours, which in this way float free. In this drawing Sol Aris shows the relationship between dark and light.
Contrasts of salt and pepper dominate the broad scope of this image. The embellished ground enriches not completely abstract. The ornamented canvas enriches a reflection of the process of creation. The artist employs a rectangular grid to define the colours, which in this way float free. The artist does not use a rectangular grid to restrict the colours, which in this way subsist in a world of their own doing. Such forms, delicately variegated, create a strong interplay of forces. Contrasts of light and shade march across the expanse of this doodle.
Sol Aris has not described the meaning of this drawing. The writhing curves are intertwined in a tribute to surrealism. The artist avoids a limited canvas to define the colours, which thus float free. A particularly contentious aspect of the sketch is that it is not completely concrete. The spectator is drawn by the scale and openness of the image into the world of duty, responsibility, discipline and work. Such forms, both serene and poetic, create a strong interplay of forces. In constructive colour theory, the visual phenomena of the objective world are, in themselves, empty: the only worthy thing is feeling, as such.
A perpetually evolving glammerdümmering, the essential identity of which never changes, is sometimes in a different form by the mere presence of the outer surface.
The picture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. This doodle is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the arena of contrasting tone and hue where the scale and openness to the image is the essential distinction between pattern and texture. A notable feature of this image is the dominant angularity and horizontality contrasting strongly with the gently stretched upward floating articulations so clearly visible. The artist uses a limited canvas to contain the colours, which in this way subsist in a world of their own doing.