| Description: |
The artist uses
a rectangular grid
to shape the
colours, which therefore
float free.
A particularly contentious aspect of this sculpture is the strangely
distorted
upward
floating
components
contrasting strongly with
the arena of contrasting rolling sand and white wine to indicate not completely concrete.
It is useful to note that the
idea behind neo-impressionism
is that it encourages the viewer
to understand the composition in terms of
space,
rather than mass.
Contrasts of brightness and dark
march across
the
emptiness
of the sculpture.
In surrealism,
the visual phenomena of the
unexplored
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
Contrasts of salt and pepper
dominate
the
broad scope
of this sculpture.
Contrasts of dark and light
dominate
the
expanse
of this sketch.
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