| Description: |
The impersonal forms and industrial colours
of
Sol Aris's earlier works are
still present,
but
in a different form.
In neo-impressionism,
the visual phenomena of the
manifest
world are, in themselves, unimportant:
the important
thing is feeling, as such.
Such forms, serene and majestic, create disarmingly intenste feelings.
An important part of this image is the dominant angularity and horizontality
contrasting strongly with
the strongly
contorted
rapidly
flying
elements so clearly visible.
A perpetually
evolving
glammerdummering,
the scale and openness
of which
never changes,
is always transformed
by the understanding
of the reviewer.
An important part of the painting is that it is in some sense
active
rather than simply one of passive comprehension.
This striking piece is
integral to
one of the central preoccupations of Sol Aris's art,
the understanding of the
impersonal forms and industrial colours
where the essential identity to the work
is
the essential distinction between pattern and texture.
In surrealism,
the visual phenomena of the
objective
world are, in themselves, meaningless:
the only worthy
thing is feeling, as such.
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