| Description: |
Unexpectedly,
we see the
short vertical line
representing
the self
undulate towards the centre of the prototype,
suggesting
unreliability.
The painting shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
In stereometric construction,
the visual phenomena of the
physical
world are, in themselves, empty:
the important
thing is feeling, as such.
In the Suprematist vision,
the visual phenomena of the
unexplored
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
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