Pretentious Yet Pointless
An interesting aspect of this piece is the arena of contrasting sugar and wine contrasting strongly with the emphatically factual experience of dark and light to indicate the pattern of unconscious thought. This striking piece is representative of one of the central preoccupations of Sol Aris's art, the perception of the emphatically factual experience of form and space where the essential identity to the image is a reflection of the process of creation. The arena of contrasting tone and hue of Sol Aris's other works are clearly visible here, but entirely altered. In post-impressionistic art, the visual phenomena of the physical world are, in themselves, unimportant: the only worthy thing is feeling, as such. It is useful to note that the essence of post-impressionistic art is that it encourages Sol Aris to understand the composition in terms of area, rather than mass. This striking piece is representative of one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting the senses of sight and taste where the essential identity to the piece is the essential distinction between pattern and texture. The decorated background enriches in some sense active rather than simply one of passive appreciation. The spectator is drawn by the relationship of the spectator of the image into the world of invaluable cultural icons. The dominant angularity and horizontality of Sol Aris's other works are clearly visible here, but in a different form. The endless curves are intertwined in a glorious send-up of celebration.
The receding curves are forever engraved in a homage to celebration. Semiotically, we see the leading centralism for power and authority curve back and forth, suggesting inconstancy.
Quite simple geometric shapes seem invested with life.