Pretentious Yet Pointless
Contrasts of bare hands and toothpaste dominate the vastness of this sculpture.
``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owe little to the appearance of observed reality.'' [Brian Keeble, on Cecil Collins, Temeno 11, London, 1990, p.114]