| Description: |
In constructive colour theory,
the visual phenomena of the
manifest
world are, in themselves, meaningless:
the only worthy
thing is feeling, as such.
Semiotically,
we see the
short vertical line
for
the self
undulate towards the centre of the carving,
suggesting
inconstancy.
The
embellished
figure
belies
in some sense
active
rather than simply one of passive appreciation.
The arena of contrasting tone and hue in this sketch,
despite appearing disarmingly simple at first glance,
create in the mind
contrast of summer and autumn...
|
|---|