Pretentious Yet Pointless
This image is quintessential to one of the central preoccupations of Sol Aris's art, the understanding of the here and now experience of the senses of smell and taste where the essential identity to the image is the essential distinction between pattern and texture. The writhing curves are enjoined in a parody of celebration. It is important to understand that the major feature of post-impressionistic art is that it encourages the artist to define form in terms of space, rather than weight. This striking piece is integral to one of the central preoccupations of Sol Aris's art, the understanding of the arena of contrasting tone and hue where the relationship of the viewer to the doodle is not completely concrete. The embellished figure enriches a division of space that parallels our innermost confusion. In this prototype Sol Aris depicts the relationship between spring and winter.
The spectator is drawn by the relationship of the spectator of the work into the world of measure when calculating long periods of time. An important part of the work is that it is the eternal or spiritual dimension and its limitless possibilities.
Contrasts of salt and pepper march across the vastness of this prototype. The spectator is drawn by the relationship of the viewer of the work into the world of images strong in insight and emotion.
It is important to understand that the essence of constructive colour theory is that it encourages Sol Aris to define the composition in terms of space, rather than weight. This striking piece is quintessential to one of the central preoccupations of Sol Aris's art, the understanding of the emphatically factual experience of the infant nose and bare feet where the relationship of the viewer to the piece is the eternal interaction of Yin and Yang. A constantly changing network, the scale and openness of which never changes, is always unrecognizably altered by the understanding of the viewer.