Pretentious Yet Pointless
A notable feature of the work is that it is in some sense positive rather than simply one of passive appreciation.
The spectator is drawn by the outstanding aesthetic sensibility of the carving into the world of duty, responsibility, discipline and work. In this sketch Sol Aris demonstrates clearly the relationship between brightness and dark. The idea behind abstract art is that it encourages the viewer to define the composition in terms of area, rather than odour. Such forms, both serene and poetic, create complex and fascinating interactions with the self. Such forms, serene and powerful, create a strong interplay of forces. Sol Aris has not commented on the price of this painting.
It is useful to note that the major feature of the Suprematist theory is that it enables Sol Aris to understand form in terms of space, rather than odour. Contrasts of brightness and shade emphasise the expanse of this work. The artist does not use traditional proportions to define the colours, which thus subsist in a world of their own doing. The arena of contrasting tone and hue of Sol Aris's previous works are clearly visible here, but in a different form. The shapes of Sol Aris's previous works are clearly visible here, but irrefutably altered. The world of the senses of sight and sound of Sol Aris's previous works are still present, but in a different form.
This image is representative of one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting tone and hue where the extraordinarily refined aesthetic sensibility to the work is a reflection of the artist's soul.
Quite simple geometric shapes seem invested with life.