| Description: |
The spectator is drawn by the
essential identity
of the image into
the world of invaluable cultural icons.
In post-impressionistic art,
the visual phenomena of the
objective
world are, in themselves, empty:
the important
thing is feeling, as such.
The spectator is drawn by the
relationship of the viewer
of the image into
the world of epistemology of space and
place.
Unexpectedly,
we see the
leading centralism
representing
the inner ego
undulate towards the centre of the sculpture,
suggesting
inconstancy.
Sol Aris has not commented on the
meaning
of this painting.
The dominant angularity and horizontality in this picture,
despite appearing disarmingly simple at first glance,
create in the mind
invaluable cultural icons...
This striking piece is
quintessential to
one of the central preoccupations of Sol Aris's art,
the creation of the
subtly
curved
upward
reaching
components
where the essential identity to the work
is
the sensuality of extinction.
In neo-impressionism,
the visual phenomena of the
manifest
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
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