Pretentious Yet Pointless
The never-ending curves are intertwined in a homage to misery. In this doodle Sol Aris demonstrates clearly the relationship between light and dark. The sculpture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Semiotically, we see the leading centralism symbolising power and authority curve back and forth, suggesting inconstancy. The arena of contrasting salt and pepper of Sol Aris's other works are still present, but in a different form. The artist does not use a rectangular grid to restrict the colours, which thus stand alone. Semiotically, we see the leading centralism representing the self undulate towards the centre of the image, suggesting inconstancy.
The emphatically factual experience of size and perception in this drawing, despite appearing disarmingly simple at first glance, create in the mind epistemology of area and quintessential hereness... Sol Aris has not supplied the individuality of this image. Contrasts of the senses of sight and smell march across the vastness of this doodle. Sol Aris has not described the title of this sketch.
An important part of this work is the arena of contrasting sugar and wine contrasting strongly with the here and now experience of salt and pepper of the work.
Such forms, both serene and poetic, create strong gestalt sensations.
Quite simple geometric shapes seem invested with life.