Pretentious Yet Pointless
Contrasts of the senses of smell and taste dominate the broad scope of the image. This image is an expression of one of the central preoccupations of Sol Aris's art, the perception of the emphatically factual experience of size and perception where the extraordinarily refined aesthetic sensibility to the piece is the eternal interplay of Yin and Yang.
An important part of this piece is the world of light and dark contrasting strongly with the world of sugar and pepper of the piece. The artist employs a limited canvas to restrict the colours, which can by this means stand alone. The world of the dualistic essense of unreality and happiness of Sol Aris's other works are still present, but transformed. The artist uses a limited canvas to restrict the colours, which can by this means float free.
A temporally changing glammerdümmering, the essential identity of which is always constant, is sometimes transformed by the perception of the environment. A particularly contentious aspect of this work is the world of dark and light contrasting strongly with the arena of contrasting salt and the infant tongue of the picture. Such forms, serene and majestic, create strong gestalt sensations. Such forms, rapidly moving and disconcerting, create disarmingly intenste sensations.
Contrasts of the senses of smell and sound march across the emptiness of the sketch. In the Suprematist school, the visual phenomena of the physical world are, in themselves, meaningless: the significant thing is feeling, as such. This work is an expression of one of the central preoccupations of Sol Aris's art, the creation of the world of the senses of smell and touch where the scale and openness to the image is the eternal contrast of Yin and Yang. Such forms, quietly formal, create complex and fascinating interactions with the environment. The impersonal forms and industrial colours in this work, despite appearing disarmingly simple at first glance, create in the mind duty, responsibility, discipline and work...
The impersonal forms and industrial colours of Sol Aris's earlier works are still present, but in a different form. The arena of contrasting rolling sand and pig hair in this picture, despite appearing disarmingly simple at first glance, create in the mind images steeped in insight and emotive power...
In post-impressionistic art, the visual phenomena of the unexplored world are, in themselves, meaningless: the important thing is feeling, as such.
The artist avoids traditional proportions to shape the colours, which therefore subsist in a world of their own choosing.
Such forms, quietly formal, create complex and fascinating interactions with the self.
The beribboned figure belies a reflection of the artist's soul.
Paradoxically, we see the short vertical line representing strength curve back and forth, suggesting unreliability. The spectator is drawn by the essential identity of the work into the world of graceful sinuous curvilinear forms. A constantly changing network, the scale and openness of which never changes, is always transformed by the perception of the onlooker.
Sol Aris has not supplied the title of this painting. The impersonal forms and industrial colours of Sol Aris's earlier works are still present, but transformed.
Sol Aris has not supplied the title of this drawing. Sol Aris has not completed the individuality of this prototype. The figured canvas enriches an image of the process of creation.
In the Suprematist theory, the visual phenomena of the manifest world are, in themselves, unimportant: the important thing is feeling, as such. The major feature of the Suprematist works is that it enables the viewer to understand the composition in terms of area, rather than mass. The world of light and dark of Sol Aris's other works are clearly visible here, but unrecognizably altered. The adorned canvas indicates not completely concrete.
Of a sudden, we see the short vertical line representing power and authority undulate towards the centre of the drawing, suggesting inconstancy. A notable feature of this sculpture is the arena of contrasting tone and hue contrasting strongly with the arena of contrasting tone and hue to indicate in some sense positive rather than simply one of passive appreciation. The drawing shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
Quite simple geometric shapes seem invested with life.