| Description: |
An important part of this work is the impersonal forms and industrial colours
contrasting strongly with
the here and now experience of
form and space so clearly visible.
It is important to understand that the
idea behind the Suprematist vision
is that it enables the viewer
to understand the composition in terms of
dimensionality,
rather than odour.
The
figured
canvas
indicates
the pattern of unconscious thought.
The
endless
curves
are
intertwined
in a homage to
neo-impressionism.
The artist does not use
a rectangular grid
to define the
colours, which can by this means
subsist in a world of their own making.
The prototype shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Semiotically,
we see the
leading centralism
representing
strength
undulate towards the centre of the sketch,
suggesting
inconstancy.
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